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・ Beneath the Encasing of Ashes
・ Beneath the Gated Sky
・ Beneath the Harvest Sky
・ Beneath The Lies - The Series
・ Beneath the Lion Rock
・ Beneath the Mask
・ Beneath the Massacre
・ Beneath the Moors
・ Beneath the Neon
・ Beneath the Pavement...
・ Beneath the Planet of the Apes
・ Beneath the Radar
・ Beneath the Raven Moon
・ Beneath the Remains
・ Beneath the Scars
Beneath the Shadows
・ Beneath the Skin
・ Beneath the Skin (Collide album)
・ Beneath the Skin (Of Monsters and Men album)
・ Beneath the Skin – Live in Paris
・ Beneath the Sky
・ Beneath the Snow Encumbered Branches
・ Beneath the Surface
・ Beneath the Surface (disambiguation)
・ Beneath the Surface (film)
・ Beneath the Surface (picture book)
・ Beneath the Texas Moon
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・ Beneath the Valley of the Ultra-Vixens


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Beneath the Shadows : ウィキペディア英語版
Beneath the Shadows

''Beneath the Shadows'' is the second studio album by the American hardcore punk band T.S.O.L. (True Sounds of Liberty), released in 1983 through Alternative Tentacles. With the addition of keyboardist Greg Kuehn to the lineup, the band moved away from punk rock in favor of a gothic rock sound in the vein of The Damned and Siouxsie and the Banshees, alienating much of their hardcore audience in the process. Though the album was critically well received and led to the band being featured in director Penelope Spheeris' film ''Suburbia'', it was largely rejected by their fanbase within the punk scene.
By the end of the year founding members Jack Grisham and Todd Barnes had left the group. They were respectively replaced by singer Joe Wood and drummer Mitch Dean, with whom T.S.O.L. would continue further from punk rock, eventually becoming a glam rock outfit. The original four members reacquired rights to the name T.S.O.L. in 1999 and signed to Nitro Records, who re-released ''Beneath the Shadows'' and put out the band's two subsequent studio albums.
==Background==
T.S.O.L. had released their first full-length album, ''Dance with Me'', in 1981 through Frontier Records. Its combination of hardcore punk with horror film- and gothic-inspired subject matter had put the band at the forefront of what was becoming known as "deathrock".〔Blush, p. 93.〕 Their subsequent EP, 1982's ''Weathered Statues'', was released through Alternative Tentacles, the record label run by Jello Biafra and East Bay Ray of fellow California hardcore band the Dead Kennedys, with whom T.S.O.L. had performed.〔〔〔Blush, p. 94.〕 The experimental nature and melodic leanings of the EP presaged the musical direction the band would pursue on their next album.〔〔
With the addition of keyboardist Greg Kuehn to the lineup, the band expanded in new creative directions.〔 According to singer Jack Grisham, improved musicianship and new musical influences were also factors in T.S.O.L.'s stylistic changes:
We learned to play. We wanted to try more things. We're not going to pretend we're something that we're not anymore. It's funny, () Mike Roche got mad at me for doing what I did, but he's the one who turned me on to Roxy Music. After hearing different singers and music I'd never heard before, you're bound to expand.〔

''Beneath the Shadows'' was recorded at Perspective Sound in Los Angeles with producer Thom Wilson.〔〔 It was released in 1983 through Alternative Tentacles as catalog number VIRUS 29.〔〔 Grisham credited himself as Jack Delauge on the sleeve, following a tradition of using a different pseudonym on each release both to confuse audiences and to hide his true identity from the police.〔〔〔 Drummer Todd Barnes credited himself as Todd Scrivener, a pseudonym he had also used on ''Weathered Statues'' derived from the name of the street he lived on.〔〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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